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When the call for participation in a drawing challenge focused on breasts arrived on my dash, I thought, "sure, I can do that easily" and so I joined. Turns out I was wrong about that: I missed 8 days out of 31 and the quality of the work I produced was very uneven. I still had fun most of the time, and it's allowed me to chip away at problems in my art and hopefully helped me become, like, a 0.1% better artist.
My favorite pieces from the project:
These are the ones where I think I was "on" on the day I drew them. The other ones, meh. I think the fact that my quality is so inconsistent is as big a problem as the specific faults that you can find in any artwork that I've done.
Tricks I learned:
1. Using a center line really helps determine what goes where. Also, the best reference pictures follow the Rule of Three, and so should the art drawn from it.
2. When working in digital tools, use the features they offer. Set the aspect ratio to that of the reference image, use layers and rescale your sketch as needed.
3. Counting repetitive elements in the background is hard.
4. Stylize the main mass of hair, but add detail on the edges to make the hair look more alive.
5. Nipples aren't where I think they are, most of the time. They're usually just a bit lower and more to the sides. But not by that much.
6. Good models deceive the viewer all the time. They are actors as much as anything else.
7. A little bit of construction early on helps, but too much of it detracts from the attempt at drawing what you see. Constructing faces and bodies is a separate skill from drawing from observation and should be the subject of a separate challenge later in the year.
Next up: Janus-uary.
My favorite pieces from the project:
Mature Content
Mature Content
Mature Content
Mature Content
These are the ones where I think I was "on" on the day I drew them. The other ones, meh. I think the fact that my quality is so inconsistent is as big a problem as the specific faults that you can find in any artwork that I've done.
Tricks I learned:
1. Using a center line really helps determine what goes where. Also, the best reference pictures follow the Rule of Three, and so should the art drawn from it.
2. When working in digital tools, use the features they offer. Set the aspect ratio to that of the reference image, use layers and rescale your sketch as needed.
3. Counting repetitive elements in the background is hard.
4. Stylize the main mass of hair, but add detail on the edges to make the hair look more alive.
5. Nipples aren't where I think they are, most of the time. They're usually just a bit lower and more to the sides. But not by that much.
6. Good models deceive the viewer all the time. They are actors as much as anything else.
7. A little bit of construction early on helps, but too much of it detracts from the attempt at drawing what you see. Constructing faces and bodies is a separate skill from drawing from observation and should be the subject of a separate challenge later in the year.
Next up: Janus-uary.
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Commissions, continued
I have now delivered all but one of the latest batch of commissions. Well done, me! I will have room to do more commissioned work in April. Please check the Commissions Price Sheet for more information and terms:
FAWM over, back to drawing
I've successfully completed February Album Writing Month and will now focus on drawing again. I'll be traveling to Portugal without my laptop and without any musical instruments but with my iPad and Apple Pencil. First priorities will be a new Greyfriar's Isle story and unblocking myself from what is holding me back with the ongoing Tess Durban story. I wrote two punk-ish songs during FAWM and by coincidence, my brother posted the only punk song from my The Hooded Crow days, written by me and recorded for our first demo in 1994. As with many of these songs, there was a long time when I didn't want to listen to it. But it turns out that writing new songs is not just a way to express myself, create new things and be part of a community, it's also an ongoing dialog with myself. So writing "Enshittified" last summer, and "In the face of the Eschaton" and "The Planet Spins" this February, has made me listen to my older writing with different ears. The Reinder Dijkhuis Punk Album would
Glaze, and things that AI can't do
The other day, I ran a number of old drawings through Glaze and found that my pencil art from several years ago takes it amazingly well. The header image conveniently focuses on a section of the image where you can see the Glaze artefacts, but only just. Compared to black-and-white and flat-colored images, where the artefacts are painfully obvious, these scanned traditional works with random greyscale tones and paper textures are good at hiding the tell-tale signs that the image has been processed through anti-AI technology. So I'm going to experiment a little more, with watercolors as well as more pencil artworks, and if the results are consistent, I will just go back to traditional art full-time. I know that DeviantArt has an opt-out for AI training on images posted here, and I expect them to respect that opt-out, at least for the time being. But it's easier for me to have one canonical version of every image that I post everywhere, so that's why I've only been posting Glazed
The Hooded Crow - Ravine, and FAWM
It's that time of the year again. I'm doing February Album Writing Month! You can follow my progress via https://write.fawm.org/@reinderd until the FAWM website goes into hibernation again. So far, I'm at three songs written, which means I'm on track but can't afford to slack off (yesterday, I slacked off, a bit). Meanwhile, my brother continues his regular releases of demo tracks, studio recordings and outtakes of our former band The Hooded Crow with one of my favorites and one of the tracks I'd selected as a model for the songwriting project I'd chosen for this year's FAWM: Michel Bouma's composition "Ravine" from 1994, featured on our second demo. Here it is: The Hooded Crow - Ravine It was about time we got to rock out again! Sometimes, a guy just wants a big dumb riffy rocker, and "Ravine" delivers that, but it also has enough movement in it to keep things interesting beyond that. And it's a joy to play! I should know because I still play it frequently.
© 2016 - 2024 Reinder
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23/31 is not a bad score, considering what time you usually are left for drawing
Also, there's some nice set of boobs in that collection so I would say practice did become you
Also, there's some nice set of boobs in that collection so I would say practice did become you