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My scheduling/planning abilities have improved to the point where... I can tell you today at which point I will start missing updates. Yeah. The predicted date is October 28 with some possibility of missing October 24 as well. It turns out that no amount of planning, time management or discipline can make up for me having all my weekday time eaten up by the day job and spending 3 out of the last five weekends being sick for at least one day (as well as spending an afternoon at a running event on one of the other weekends, but that was included in my original planning).
In my original description of the update challenge, I mentioned a forfeit that I'd make myself pay if I lost. I've decided to waive that, because there were two things I didn't anticipate: one, that I'd get sick so often during the challenge, and two, that there were so many double updates among the pages that I'd be redrawing. Instead of 19 pages, the full scope of the update is 24 or 25. So a bigger workload and less capacity for a reason I cannot do anything about. Since I don't want the challenge to be another source of stress in an already high-stress life, I've decided that dumping more work on myself as a forfeit for failing this challenge under these conditions would be a step too far. Drawing a line right there so things stay enjoyable for me. I'm unlikely to allow myself to buy a new guitar though.
In my original description of the update challenge, I mentioned a forfeit that I'd make myself pay if I lost. I've decided to waive that, because there were two things I didn't anticipate: one, that I'd get sick so often during the challenge, and two, that there were so many double updates among the pages that I'd be redrawing. Instead of 19 pages, the full scope of the update is 24 or 25. So a bigger workload and less capacity for a reason I cannot do anything about. Since I don't want the challenge to be another source of stress in an already high-stress life, I've decided that dumping more work on myself as a forfeit for failing this challenge under these conditions would be a step too far. Drawing a line right there so things stay enjoyable for me. I'm unlikely to allow myself to buy a new guitar though.
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Commissions, continued
I have now delivered all but one of the latest batch of commissions. Well done, me! I will have room to do more commissioned work in April. Please check the Commissions Price Sheet for more information and terms:
FAWM over, back to drawing
I've successfully completed February Album Writing Month and will now focus on drawing again. I'll be traveling to Portugal without my laptop and without any musical instruments but with my iPad and Apple Pencil. First priorities will be a new Greyfriar's Isle story and unblocking myself from what is holding me back with the ongoing Tess Durban story. I wrote two punk-ish songs during FAWM and by coincidence, my brother posted the only punk song from my The Hooded Crow days, written by me and recorded for our first demo in 1994. As with many of these songs, there was a long time when I didn't want to listen to it. But it turns out that writing new songs is not just a way to express myself, create new things and be part of a community, it's also an ongoing dialog with myself. So writing "Enshittified" last summer, and "In the face of the Eschaton" and "The Planet Spins" this February, has made me listen to my older writing with different ears. The Reinder Dijkhuis Punk Album would
Glaze, and things that AI can't do
The other day, I ran a number of old drawings through Glaze and found that my pencil art from several years ago takes it amazingly well. The header image conveniently focuses on a section of the image where you can see the Glaze artefacts, but only just. Compared to black-and-white and flat-colored images, where the artefacts are painfully obvious, these scanned traditional works with random greyscale tones and paper textures are good at hiding the tell-tale signs that the image has been processed through anti-AI technology. So I'm going to experiment a little more, with watercolors as well as more pencil artworks, and if the results are consistent, I will just go back to traditional art full-time. I know that DeviantArt has an opt-out for AI training on images posted here, and I expect them to respect that opt-out, at least for the time being. But it's easier for me to have one canonical version of every image that I post everywhere, so that's why I've only been posting Glazed
The Hooded Crow - Ravine, and FAWM
It's that time of the year again. I'm doing February Album Writing Month! You can follow my progress via https://write.fawm.org/@reinderd until the FAWM website goes into hibernation again. So far, I'm at three songs written, which means I'm on track but can't afford to slack off (yesterday, I slacked off, a bit). Meanwhile, my brother continues his regular releases of demo tracks, studio recordings and outtakes of our former band The Hooded Crow with one of my favorites and one of the tracks I'd selected as a model for the songwriting project I'd chosen for this year's FAWM: Michel Bouma's composition "Ravine" from 1994, featured on our second demo. Here it is: The Hooded Crow - Ravine It was about time we got to rock out again! Sometimes, a guy just wants a big dumb riffy rocker, and "Ravine" delivers that, but it also has enough movement in it to keep things interesting beyond that. And it's a joy to play! I should know because I still play it frequently.
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